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February 2, 2009

February 3, 2010 by Cort

Guess we know what Steven Tyler has been doing to pass the time in rehab. Apparently he’s been catching up on his shitty mid-nineties Stallone action flicks. He started with Stop Or My Mom Will Shoot, then to Cliffhanger and watched Demolition Man three times (but at least two of those times were just to marvel at Sandra Bullock’s ass). But none of those movies inspired him the way the capper on his Stallone-a-thon did. Steven has been seen strolling around the rehab center in a Tupperware bowl as a helmet, jock strap, knee pads and high boots shouting “I am the law.” Apparently Judge Dredd made such an impression on him that he’s taking the lessons he learned from it to the real world. So, upon hearing that Billy Idol is the latest singer rumored to be filling his spot in Aerosmith and realizing that could actually be pretty cool, he intensely dropped that bowl on his head and said, “I am the Aerosmith.” And that’s what he had his manager convey to the rest of the band. In a statement Tyler’s manager said, “Can you imagine the manager of the Rolling Stones calling for the replacement of Mick Jagger? Steven is Aerosmith. He’s the guy the public knows. He’s the singer.” It should be pointed out that he’s also the junkie that tottered off the side of the stage at Sturgis, he’s the guy who looks like geriatric Olsen twin and he’s the guy who said that he was going to spend the next couple of years as a solo act.

And in further proof that Courtney Love was using Kurt as a lottery ticket that dripped other baby-shaped lottery tickets and didn’t in any way understand the man who she claimed to have loved, she thinks that Kurt would have loved seeing his image exploited and distorted in such a way that people think that he was actually the lead singer of Bon Jovi. Yes, apparently I, a man who never knew, met or really ever liked Kurt Cobain all that much when he was alive, knew him better than the talentless skank-whore-junkie that he married. That’s because, just based on what I read about the guy in People magazine, I could tell you definitively that he would in no way find the unlocking of his character in Guitar Hero so that he could be used as a Flava-Flav avatar to be humorous. But Courtney does. She said, "What pisses me off the most about it is I think Kurt would be fine with having five Kurt Cobains singing the (Spice Girls) song Wannabe, like, 'Tell me what you want, what you really really want.'... I think he'd find that really funny.” But always the victim, Courtney finds away to get in a little boo-hoo-poor-me in the course of the interview as well. She says, "But at the same time it's gross what they did. Gwen (Stefani) started the lawsuit. I have really good lawyers now and will join that lawsuit. There was this grey area and they fucked the lot of us. They didn't fuck Jack White, but they fucked Gwen, fucked Johnny Cash and fucked Kurt... It's just gross. This is the rock 'n' roll business, this is what people do. They are sleazy; they do sleazy things." Yeah, it’s sad how you got so screwed over, Courtney. The way you signed the papers that allowed Activision to use Kurt’s image and the way you didn’t get your Lawyers to specify the limits to how they could use his image, and how you probably turned that advance check into dope before you even left the Activision foyer. So sad. Poor, abuse, misunderstood Courtney.

January 22, 2010

January 22, 2010 by Cort

It’s rare that I agree with Courtney Love. Typically Courtney is the whorish, smacked out cupie doll of the rock world with three preprogrammed responses to any situation. To get a quote all one needs to do is pull the surgical tubing tied around her arm. Her eyes roll back in her head and she either says, “Who wants to see the rotten meat sleeping bag I call a vagina?” or, “These aren’t track marks, they’re herpes sores. THESE are needle tracks. Oh, and this is the pile of putrid pig guts I call a vagina,” or she says, “waahhhrrrbblllaaabbbbllleeee. Vagina.” But someone unlocked a special message hidden deep within Courtney Love. I think it was hidden right behind the Balrog. The Balrog deep in the shredded, inside out, road kill skunk she calls a vagina. In this special message, Courtney says, "I wanna meet Keith Richards, I’ve never met him. I don’t know what I’m gonna say to him, but I’m gonna touch his liver and I’m gonna let him touch my liver and it’ll be awesome. I’m gonna make him lift up his shirt and I’m gonna say, ’Can I touch your liver?’ And I’m gonna touch where his liver is and see if it’s putrefied or something. I think we both must have incredibly healthy livers. We must!" Yes, Courtney. Let him touch your liver. Let him touch your liver with a nine inch boning knife. But don’t tell him where it is first. Just let him probe around in your guts with his knife, plunging it in over and over again in a never ending quest to find your liver.

And speaking of junkies with filthy vaginas, Steven Tyler. Now, I understand getting pissed at a guy because he torpedoes your band for a second time in three decades by shoving his veins full of cleaning supplies, but there’s some pretty cold shit going on in Aerosmith right now. Back when Steven was in denial about his being addicted to hoovering Vicodin as the reason why he crumpled off the side of the stage at Sturgis like a dry leather bag full of bamboo, Joe Perry said that he and the band were looking for new lead singers. It made sense at the time. Steven’s being a junkie ass bag, we want to play, so we’ll get a new lead singer and Steven work on his Mon-chi-chi raped by a gremlin look. But now that Steven has admitted that he’s a junkie and is in treatment to get clean again, you’d think the band would cut him a break, show a little support for their friend and wait for him to get out of rehab. Especially considering that Joe Perry is a recovering addict himself. But no. They’re still looking for a lead singer and plan on touring without Steven until he gets clean and decides to return. He says they’re planning a tour later this year with an unnamed, and so far un-picked lead singer. He says, "(There's) a few people we've talked to, and we'll see how it goes... As far as auditions go, we'll probably just sit around and have a couple of drinks and see if we get along - because we're already gonna know that they can sing."

And to complete the vagina reference trifecta, for you ladies out there suffering form that not so fresh feeling, just aim your iPhone at your lady bits and get ready for another flood of douche from John Mayer. Yesterday he had some rambling quote about his jerking off being like having the ablity to use the alien weapons in District 9. Today we learn that John Mayer loves looking at big, fat, cock. He says that even though he’s "100 per cent straight as an arrow," he still a dick glancer. He checks dudes out in the locker room or at the urinal. He tells Rolling Stone magazine, "Because of all the porn I've watched, I'm now enamored with what I call 'the third child'. It's not male, it's not female. It's a new creation by way of the hundreds of blow-job films I've seen. There's a new brand of dicks going around right now. It's a new dick. It's a superdick. This superdick is straight and one color, and it seeks to destroy the race of men before them."

December 23, 2009

December 23, 2009 by Cort

Shock. Shock. Horror. Dismay. Utter confusion and the feeling as though the Earth has dropped from under my feet. The world makes no sense to me anymore. I am a man lost in a sea of uncertainties now that is announced that Steven Tyler has checked back into rehab for abusing prescription pain medications. I couldn’t be any more shocked if a third dick grew out of my chest. (I only have one right now but it’s so huge that most people count it twice. Pazaaannnngg.) Wait, you mean to say when Steven ate shit off the side of the stage at Sturgis for no other reason than apparently some roadie inadvertently left a pile of loose electrons lying in the middle of the stage where Steve was trying to do his shimmy dance, that was because of… DRUGS? And are you suggesting that when Steven showed up in public looking like the result of a gremlin, monchichi, Olsen twin gang bang, that too was because of drugs? NO! I refuse to believe it. But apparently it’s true. He says, “With the help of my family and team of medical professionals I am taking responsibility for the management of my pain and am eager to be back on the stage and in the recording studio with my bandmates.”

And which of these things would you least like to hear: A) a live cat being slowly fed into the spinning blades of a garbage disposal, B) your mom having sex with Drippy, the syphilitic circus stallion or C) Vince Neil covering Credence Clearwater Revival’s “Who Will Stop the Rain”? Well, if you answered C, I have bad news for you because that’s gonna happen in April. Vince is in the studio and his version of CCR’s “Who Will Stop the Rain” will be on his next album. Unfortunately if you answered A or B, those will happen much sooner because I hear Drippy has plans to visit your mom this weekend with a Cuisenart, your kitty Snuffles and a camcorder. You’ll find the resulting video in the “splatter kitty and horse cock” section on Youporn.

And finally, the streak is alive. To date, no one has done a satisfactory Pink Floyd cover. I made the statement years ago and every time I bring it up I get a bunch of people sending me a list of marginal-at-best covers of Floyd classics. My Facebook page is stuffed right now with people posting songs they believe to be worthy Pink Floyd covers. These people are very, very wrong. And I don’t count a note-for-note recreation to be a worthy cover. Just because you can memorize a guitar solo does not make you worthy. The one band I was concerned would prove me wrong was the Flaming Lips. They have just the right mixture of drugged up insanity and arena-sized bombast and they just released a cover of Floyd’s entire Dark Side album. It had the potential to be brilliant in its reimagining of the classic album creating an entire new environment for it to grow in ways Floyd had never considered. Well, it did that, but unfortunately the atmosphere in this new environment is made entirely of ether and the ground is made of keyboards. The music just gallops around in the same circle until it vomits up cold pizza in the corner. It’s not a bad record, it just doesn’t go where it should have. Wayne seems to have locked into this new “sound” over the past couple of albums that relies too heavily on reverb and echo effects to give the songs the right amount of quirk and has forgotten that the music itself needs to hold up without all the spacey goofiness. And he just took this new signature sound and squeezed it over the top of these epic Floyd songs.

November 17, 2009

November 17, 2009 by Cort

There’s a reason why America is a republic and not a democracy. A republic is a representative government where the people are represented by pasty rich white guys who want to corrupt their office by getting their honorable dicks sucked by corporate lobbyists. A democracy, in the classic sense, is mob rule. We as a people vote individually on every measure, rule or bill and as a people decide what’s best for the country. Now the way I’ve laid out those two systems of government you’d think that democracy was the better of the two, but as I said in that first sentence, there’s a reason why republics are better. That reason is that people are fucking stupid. And their stupidity is exponentially magnified when making decisions as a group. As a republic we went to war with Iraq after getting attacked by men from Afghanistan and Saudi Arabia. That’s stupid. But if we were a democracy, after 9/11 we would have decided as a country to bite the head off a chicken, fuck a knothole in a fence, collectively scratch our asses and smell each other’s fingers and light the St. Louis Arch on fire and take turns jumping over it with dirt bikes. That would have been our official response to the attacks on the World Trade Center. So, for as stupid as Bushy’s desperate plea for daddy’s attention (AKA the Iraq War) was, if the decision had been left to mob rule, the result would have been much worse. Case in point. Aerosmith. As we know, Steven Tyler is planning doing something in the spectrum between taking two years off from the band and flat out quitting. And as we also know, Joe Perry and the rest of the band have no intention of waiting around for Steven to quit drinking airplane glue or whatever it is he’s on now, going so far as to suggest that they might be employing a replacement lead singer in the meantime. And so Rolling Stone, in a desperate maneuver regain a modicum of relevance, polled it’s online audience to see who the mob would pick as the new lead singer. The number one pick was Josh Todd of Buckcherry. And I’m pretty sure the only reason why he was picked is because he sort of looks like a young Steven Tyler and people were confused. That has to be the case because no one who has actually heard Buckcherry’s music would pick Josh Todd for anything except being the test pilot of the antibiotic fire hose enema. Also suggested were David Johansen (aka Buster Poindexter), David Lee Roth, Iggy Pop, Johnny Rotten, Meatloaf and last season’s American Idol winner Adam Lambert. And this was just an online poll for Steven Tyler’s hypothetical replacement. If we fuck that up this badly just imagine what we’d do with topic of abortion or war.

And here’s another reason why the corporatization of radio has been nothing but bad for the listening audience. If Led Zeppelin IV were released today, “Stairway to Heaven” would never have been played on the radio. Now, corporate radio has been around a long time. I have never worked in a radio environment that wasn’t heavily influenced by corporate models. The result has been an ever increasing focus on profit and an ever decreasing interest in content or quality. Songs that appeal to the masses (the same mob that thought Johnny Rotten would fit well with Aerosmith) are researched and placed in ultra-heavy rotations, essentially getting pummeled into dust through repetition. But back before I was even born, DJs were the ones picking their own music. That was their job. They weren’t the mindless promotional whores that they are today. Their job was to know music and decide what people should hear. It was also the time long before computers could be programmed to do the job for them. And it was in this low-tech, DJ driven radio that “Stairway” became a hit. And it wasn’t just because it was a psychedellic ballad that morphs halfway through into a weeded out rock epic. According to Zep’s biographer, it was because it was the perfect length to smoke a cigarette. He says, "The song became successful by accident. I had 100 DJs swear to me that they only played the song because they needed a long break to go and smoke a cigarette. If it had been a minute shorter, you couldn't have smoked a full cigarette. If it had been a minute longer, it would have been too long." This, of course, is bullshit because back in 1971 when this record was released, people smoked everywhere, especially in the DJ booth. There was no need to go anywhere to smoke, so those 100 DJs were altering the truth a bit so they didn’t have to say what they were really doing during that 8 minutes. The real reason why people picked “Stairway” is because it’s the perfect length to go take a shit. And in the high cholesterol days of the 1970s, many shits were taken in the middle of a shift, so “Stairway” received a disproportionate amount of airplay, making it into one of the biggest hits of all time.

November 13, 2009

November 13, 2009 by Cort

If you ever needed proof that America is in fact leading the pack in the long, slow slide into embodying the world of Mike Judge’s Idiocracy, you need look no further than daytime commercials. Now that my days have been freed up for me, I have been able to wallow in the morass of stupidity and failed ambition that is daytime television. And worse than the joyless game shows, the ridiculous soap operas and the insipid chat shows are the commercials. Now, I may be looking at my youth through the gauzy haze of nostalgia, but when I was a kid the daytime commercials were all Palmolive, Comet, Snuggle the Bear and Mr. Whipple. They were ads for industrious house wives that needed to clean the kitchen, wash the laundry and mop their assholes after detonating the toilet bowl with a hot shite mud slide thanks to the rich, meaty American diet. Now the commercials are all for erectile dysfunction, sleep disorder and, the dumbest invention in the history of humanity, the Snuggie. For those of you who may still enjoy the security of regular daytime employment, the Snuggie is a blanket with arm holes. That’s it. Some shit brick cut a couple of holes in a blanket with a utility knife, gave it a cutesy, house-frau approved name and is currently fucking a pile of money given to him by elbow-chewers in the Midwest who don’t want to go to all that extra effort to move the blanket four inches for the volume button on the remote when “Life According to Jim” comes on. Give it 10 years, people. There will be a batin’ toilet easy chair in every house and Ow My Balls, The Jay Leno Show and Glen Beck will continuously rotate on every channel. But polyester-wrapped land manatees in Nucklefuck, Kansas aren’t the only ones purchasing the Snuggie. Weezer fans can be lumped in with the Crisco chugging Midwesterners in the Snuggie-loving community. That’s because the Weezer Snuggie (yes, a Snuggie with Weezer’s logo embroidered on it) has sold out completely. A Spokesperson for Snuggie, who we will call Fisto the Anal-Loving with Wonder Leech, says, "We had an avalanche of requests and within a day we were wiped out. Several thousand Weezer's Snuggies were manufactured and they all went really quickly. We have a couple of hundred on order to meet the initial demand."

And you may have heard a nasty rumor about Steven Tyler quitting Aerosmith. You didn’t hear it here because on the day that he supposedly quit I was telling you how the rest of the band was casually considering touring without him. And unless I report something, it didn’t happen, which is exemplified in today’s Aerosmith story. Last night Steven Tyler told a crowd of fans that he had never quit Aerosmith. The important part of this story isn’t what he said on stage, it’s the fact that he Shanghaied Joe Perry’s concert to do it. Joe was playing a solo gig last night and had enjoyed a drama free night of shredding middle-aged faces. He went backstage for the encore break and there stood Steven Tyler. Joe says they exchanged some stilted pleasantries and then Steven asked if he could join Joe onstage for “Walk This Way.” Joe says, “Being an acquaintance of 40 years, I said, ‘Why not?.’ So he came up and sang and that was the last I saw of him.” But before snake-shimmying off into the sunset, Steven told the crowd that he wasn’t quitting, he was just taking a couple of years off from Aerosmith. After the show, Joe reiterated the band’s desire to work with a new lead singer, saying, “He wants to take two years off from the band, the rest of the band wants to keep on working. We have so many different options to fill up that time. Anything is possible at this point. Basically, any communication that we’ve had over the last couple of months has been through managers, so that’s been pretty strange.” Perry adds, “I never won any money trying to second-guess what goes on in Steven’s mind. I guess this is just Aerosmith business as usual.”